Northern Mexico–based producer Mora Alfmarsson has developed a deeply personal approach to electronic music, where each track reflects specific moments, emotions, and stages of his life. Blending ambient depth, melodic detail, and cinematic textures, his productions are shaped by introspection and a focus on atmosphere over functionality.
Rather than approaching music strictly for the club, Mora treats the studio as a space for exploration and self-discovery. His process often begins with fragments, recordings, or unfinished ideas that gradually come together, allowing his sound to evolve organically while maintaining a strong emotional core.
He opens the year with “Small Piece of Light” on Blank Dust, the title track of his upcoming EP arriving March 13. Created during a period of uncertainty, the release captures the gradual emergence of clarity and reflects a more defined artistic direction.
In this interview, Mora speaks with House Nest about how he started producing, the personal meaning behind his music, the creative process behind “Small Piece of Light,” his influences, and what listeners can expect as he enters a new chapter in 2026.
Hello, Mora. Thank you for joining us today. How are you?
Hey, I’m doing well, thank you. How are you? I really appreciate you making the space for this.
How did you start producing music, and what inspired you?
It started years ago with no expectations, just a quiet curiosity to record my own instruments and see what would happen. Much like someone painting in their free time, I never really thought about releasing my own music.
During the pandemic, I found a very special group of friends. We would meet on Zoom and talk about music production. In a way, they were the ones who inspired me to actually start my own project, and honestly, it’s been one of the best decisions of my life.
As for inspiration, it comes from living — my family, my friends, and the people who have crossed my path through music. It’s surreal to see how far from home this project has taken me, traveling and meeting people in the industry who treated me like an old friend. There have been some beautiful moments, and honestly, some really hard ones too. But the process itself changes your perspective, not just musically, but personally as well.
Every track I make becomes a clear window into certain stages of my life. A lot of time can pass, but when I listen back to a song I made years ago, I remember that period vividly, from my time in the studio to whatever I was going through then. Sometimes the music you make can be more powerful than pictures. In the end, the time I spend in the studio recording instruments, creating ideas, or shaping projects is really a process of getting to know myself better.
Let’s talk about your latest single, “Small Piece of Light.” It feels like there’s a strong message you wanted to convey. Can you tell us more about that?
To be honest, it’s really hard to explain. As I said before, every track holds the memory of a certain moment, and this one came from uncertainty.
It captures the essence of the creative process. You start with nothing until the idea begins to breathe, and in many ways, the way time moves feels similar to that. It’s easy to get lost in what comes next, but all we really have is what’s right in front of us — the people around us and the moment we’re going through, because that’s where things actually happen.
A few friends have shared their thoughts about this track. Their perspectives shift slightly, but they’re all on the same path. In a certain way, it’s simply about finding something that makes everything else make sense.
Technically, the single is top-tier in quality. Could you walk us through the creative process and what you specifically enjoyed while producing this track?
Thank you! My process is never quite the same; it doesn’t follow a straight line. Sometimes it starts with recordings, textures, or a chord progression, but for this track, it was more about collecting fragments.
Once in a while, I keep small, incomplete ideas. Sometimes they have a certain spark that makes me want to revisit them. The piano and strings at the beginning, the breakbeat, and the guitar that builds during the break at some point were three completely separate ideas.
Producing this track was like making a puzzle. It feels like collaborating with yourself from the past. You realize that those small ideas were already there, just waiting for the right time. I think that’s when you find a sound that truly resonates with you, and then the creative process finds its own way.
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Do you feel your music reflects who you are, or is it an escape from your personality?
I feel it’s more of a reflection than an escape. I think it reflects the balance I look for between different aspects of my life. I don’t plan my music to be complex; I just follow my intuition and embrace my taste. That’s why, even with all those different elements, the sound always finds a way to feel balanced.
You’ve mentioned that a special EP will be released next month. What makes this EP special for you?
The EP features two new tracks. These three songs show different sides of my production from the past couple of years. What makes it special is how each track grew from separate ideas, like I mentioned before. Despite being so different, they make sense together. The new tracks are called “A Different Place” and “Something Real.”
Who were your biggest musical influences during the making of this EP?
I didn’t focus on anyone in particular, but my daily listening habits definitely shaped the EP. It’s probably a blend of my roots — artists like The Beatles, Radiohead, and Sigur Rós — along with the electronic textures of Kiasmos and Leaving Laurel.
I also find a lot of inspiration in the music my friends are making; being surrounded by people you admire is one of the biggest influences you can have. It’s the same with my family, where musical culture has always been present. Growing up watching my older brother as a multi-instrumentalist has always been very motivating.
When people listen to your music, what do you hope they take away from it?
I’ve been lucky enough to meet artists and friends who changed my perspective on music and inspired me to find my own path. If my work can make someone feel understood or inspire them to start their own journey, just as others once did for me, that would be the most meaningful outcome.
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With constant changes and new technologies in music, how do you adapt?
I try to keep things simple. I see new tools as a way to refine my sound design, and I’m very selective about what truly helps my workflow. As for the industry’s pace, I try to stay focused on the music itself.
What can your fans expect from you this year?
There’s a sense of a new chapter. Between finishing the EP around the middle of last year, my time in Germany, and these recent days in the studio at home, I feel there’s something different lately. My sound is taking a slightly different shape, but it’s still part of the same path. I’m currently exploring these new tracks I’ve been working on.
Support the artist and buy “Small Piece of Light” on Beatport
Follow Mora Alfmarsson on Social Media:
SoundCloud l Spotify l Instagram
